Shooting Victoria



Untitled

Paul Thomas Murphy

Pegasus Books









FollowedFollowedFollowedFollowedFollowedFollowedFollowedFollowedFollowedFollowed

Theme by spaceperson Powered by Tumblr

klammer
Tagged
Arthur O'Connor


(Arthur O’Connor, Francisco Burdett O’Connor and Feargus O’Connor)

The Lost Honor of the O’Connors

When Queen Victoria’s sixth assailant terrified his monarch on Leap Day, 29 February 1871, he did so with a clear goal in mind—to restore the heroic, revolutionary reputation of his family. His great grandfather and great-great uncle both participated as United Irishmen in the Irish uprising of 1798; his great-great uncle and namesake Arthur O’Connor negotiated with the French to join the rebellion, and was later appointed by Napoleon himself as a general in the French army. One of young Arthur O’Connor’s great uncles, Francis (or Francisco) Burdett O’Connor, set out in 1819 with 200 Irish volunteers to liberate South America and became chief of staff to the great Simon Bolívar. Francis’s brother, young Arthur’s other great uncle, was Feargus O’Connor, the “Lion of Freedom,” the fiery, popular leader of the Chartist movement.

Young Arthur planned to outdo his ancestors with one bold act: he would force Queen Victoria to sign an edict freeing every one of the many Irish political prisoners in British jails in 1872. He failed, of course: Victoria’s faithful highland servant, John Brown, tackled him as he thrust a flintlock into Victoria’s face. He was tried for annoying the Queen and sentenced to a year’s imprisonment—and a whipping. He spent most of the rest of his life in a series of Australian lunatic asylums, no doubt devoting much of his time to contemplating the lost honor of the great O’Connors.

09:42 am, by shootingvictoria Comments

Ghosts of Edward Oxford

image

Last month in Newtown, Connecticut, another disturbed and enraged young man joined the dark fraternity: the boys and men who have converted their personal rage and disappointment into unspeakable violence, each one seemingly trying to outdo his predecessors in achieving greater and greater depths of evil, and in spreading the greatest amount of pain across one community, across the nation—across the world.

 

This fraternity, with its sickeningly regular attack on all of our souls, seems particularly modern—and particularly American. Mass murders in other countries, such as the killing of 69 youth on the island of Utøya in Norway, do happen, but nowhere but here do they happen with such a sickening regularity, so that in this country we have come to expect them—have indeed come to expect worse and worse.

 

In writing and then speaking about Shooting Victoria during the last five years, I could not help but consider, with each massacre, how these dark killers compared with the men and boys in my book, who after all made their own notorious attempts to kill.

 

There are striking similarities. Edward Oxford, John Francis, John William Bean, Arthur O’Connor: all were loners, young men with troubled family lives; all were deeply discontented with the world they lived in and their place in that world. All of them aspired to be somebody, and all were thwarted in that desire. And all decided to translate their rage and frustration into a single evil act, which they believed and wished would gain them world attention: they all suffered, as the newspapers at the time put it, from a “diseased craving for notoriety.” And so they bought their guns, and shot at Queen Victoria.

 

Their impulse to shoot at the Queen, I believe, came from the same place of unfathomable anger and frustration that has motivated our own Klebolds and Harrises to lash out. The dark fraternity, in other words, has been with us—with us all—as long as boys and young men have been capable of feeling anxiety and rage, anomie and loneliness. 

 

But if the impulse has been there always, the ways that the dark young men of our place and our time act upon those impulses has changed: our own mass-murderers inflict death and spread pain to a degree unthinkable a hundred years ago.

 

Our mass killers, for one thing, have at their disposal a mindboggling amount of firepower. Victoria’s assailants were satisfied with cheap and often barely-functional flintlock and percussion-cap pistols. The shooter at Sandy Hook Elementary came equipped with an assault rifle and two semi-automatic pistols each capable of firing 5 rounds per second. He also carried more than enough ammunition to kill every child in the school, bullets in a number of high-capacity, quick-loading clips. His guns were all legally obtained—by his mother, whom he killed with her own weapons. He came to kill with an arsenal a thousand times more lethal than anyone would need to hunt, or for home protection.

 

That we allow one another—as a right—the ability to amass the power to kill to this degree is a national obscenity. And as long as we do, the horror of these shootings will continue—with a sickening regularity.

 

There’s another difference between the loners who haunted Queen Victoria and our darker loners today. Edward Oxford’s diseased craving was satisfied with confronting the Queen. He did not kill her; and, when he was freed after spending more than a quarter-century in Bethlem and Broadmoor asylums, he never lashed out again. And John Francis, and after him John William Bean, were perfectly content to emulate Oxford, perhaps hoping for his fate. Neither made any attempt to do Oxford one better, to intensify the horror, to spread the pain more ingeniously and more widely. But that is exactly what today’s members of the dark fraternity wish to do—each one set upon exceeding their predecessors in the quality and quantity of their dark acts. Simply to be noticed by the media, they must create horror at a level that will set them apart from their predecessors. And so these dark boys and men study their predecessors, adopting methods guaranteed to ensure greater horror and a greater body count, and contributing their own innovations. Thus the care with which the killer at Virginia Tech University took to chain all of the exits of the building in which he killed 32 people. Thus, the gas-mask and goggles, the smoke-bombs, the Kevlar vest which a murderer used to kill 12 and wound 58 in a theatee in Aurora, Colorado. And last Friday, the killer at Sandy Hook Elementary surely chose his victims in order to maximize horror and pain: 20 innocent six and seven-year olds, and 6 adults who cared for them. Our mass murderers are continually upping the ante; and until we can recognize and treat their madness before they strike, they will succeed in hurting us all, more and more.

 

Ghosts of Edward Oxford are without question among us now, studying Columbine, Virginia Tech, Aurora, and now Sandy Hook, and contemplating new depths of unspeakable horror. After Oxford and then Francis and then Bean shot at Victoria, her government acted: Prime Minster Robert Peel enacted a law intended to shame would-be Oxfords rather than glorify them, and the attacks on the Queen by disturbed young men stopped—for a time. We face a far greater threat, and we, too must act. We need more effective mental health screening and treatment so that we can prevent the violence rather than mourn it. And we need to act—immediately—to reform our horrible gun laws in order to keep near-unlimited power from those who will use it to create acts of ever-greater pain and horror.

12:47 pm, by shootingvictoria4 notes Comments

The Last of the Would-be Assassins

The very last of Queen Victoria’s assailants to die outlived his long-lived queen by nearly a quarter-century. Arthur O’Connor, Victoria’s sixth would-be assassin, was 17 when he clambered over the fence at Buckingham Palace, approached Victoria’s carriage, and thrust a rusty flintlock into her face, hoping to coerce her into freeing all Irish political prisoners in Britain. Instead, Victoria’s faithful highland servant, John Brown, knocked him over and roughed him up. O’Connor was tried and sentenced to a year’s imprisonment and a whipping, but was reprieved from the latter when he agreed to go into exile in Australia.

 

After a few years of freedom, shuttling between New South Wales and London, and after a stint in an insane asylum outside of London, O’Connor returned to Australia for good in 1881. He took on the alias of George Morton, which he kept to the end of his life. Soon after his arrival, he was arrested, judged insane, and institutionalized. With the exception of a few brief escapes, he spent the rest of his 44 years in a variety of Sydney’s asylums. Doctors there forgot about the vainglory and delusion that drove him to attack the Queen, and attributed his madness to another cause: “debased habits,” “Onanism”—masturbation.

 

The record above—the final record in his Rydalmere Asylum file—records his death and burial. He died, aged 70, on 6 December 1825, and was buried in Rookwood Necropolis the next day, under the alias George Morton. His true name and his crime have been for nine decades completely forgotten.

10:01 am, by shootingvictoria3 notes Comments

To speak in rude and general terms, the Queen is invisible, and the Prince of Wales is not respected.

William Gladstone, 1870, on growing discontent with Queen Victoria and her eldest son.

The “royalty problem” reached a peak in 1871, but was effectively solved with the Prince of Wales’s dire illness and recovery at the end of that year, and with the public reaction to Arthur O’Connor’s assault upon the Queen on 29 February 1872.


12:44 pm, by shootingvictoria3 notes Comments

“John Brown to the Rescue”

     On Leap Day, 29 February 1872, young Arthur O’Connor scaled the wall of Buckingham Palace, rushed Queen Victoria’s carriage, and became her sixth assailant. The illustration above, from the  Penny Illustrated Paper, depicts the assault.

     While I have never seen a more ghastly depiction of Queen Victoria herself than in this image, the illustrator has otherwise captured the details the assault fairly well. Sitting next to the Queen is her Lady-in-Waiting, Jane Churchill; across from her sits her son Prince Arthur, who has just knocked a rusty flintlock pistol from O’Connor’s hand. Next to Arthur is his brother, Prince Leopold. Falling upon a puny O’Connor from the left is John Brown, in full Highland garb. Assisting in the capture, most likely, is the Queen’s Equerry Lord Fitzroy. (As far as Victoria was concerned, no one assisted John Brown: he alone saved her; he alone deserved a medal—and he got one.)

     Arthur O’Connor hoped to force the Queen to sign an edict freeing all Irish political prisoners; instead he was pummeled, arrested, tried, found guilty, and sentenced to a year in jail and a whipping. No one recognized O’Connor’s greatness—besides O’Connor himself.

01:41 pm, by shootingvictoria1 note Comments

Arthur O’Connor’s Illness

One of the most intriguing aspects of my research for Shooting Victoria, I found, was that in delving deeper and deeper into the public records of the eight attempts, I found myself delving deeper and deeper, as well, into the minds of the Queen’s seven assailants—curious, complex, disturbed worlds, every one of them. And while I chose to avoid applying modern psychological science to their Victorian world in the book (finding that Victorian psychological science, with its entirely different nomenclature and its distinct underlying assumptions suited the task of attempting to explain their behavior quite well enough), I did find that some of them did present textbook cases of mental illnesses defined in twenty-first century terms. Young Edward Oxford (#1 of the seven), for example, would surely be diagnosed as bipolar if he were a teenager today. John William Bean (#3) clearly suffered what would in 2012 be diagnosed as clinical depression: he lived under that dark cloud his entire life, and in the end it killed him. Robert Pate (#5) would today be treated for his extreme obsessive-compulsive behavior. And Roderick Maclean —who conversed with God and believed the world leagued in a plot against him—would today certainly be medicated as a schizophrenic.

 

Of the seven, Arthur O’Connor—#6—presents the most complex case of mental aberration of all; the nature of his illness is much more difficult to label accurately in modern terms than any of the others. Symptoms, certainly, are apparent, and indeed O’Connor himself at various times attempted to set out the symptoms of his own illness. But accurately summing him up as falling into one specific category of insanity, modern or Victorian, is to my mind impossible. One obvious symptom of his illness was an extreme grandiosity, a need to be—often shifting to a belief that he was—the greatest of the great O’Connors. And once he made contact with Queen Victoria, he dared to believe that she would recognize his greatness, and, through her, the world would finally accord him the recognition he knew he deserved. On 11 June 1873, O’Connor, more than a year after his attempt and then in exile in Morpeth, New South Wales, Australia, wrote a long, personal—and excruciatingly poetic—letter to the Queen. The excerpt from this letter, above, shows O’Connor laying bare to his monarch his ambition: the Queen, he expected, would dismiss that half-poet Alfred, Lord Tennyson, from the poet laureateship, and appoint O’Connor in his place.   

 

The letter never reached the Queen; her Home Secretary at the time, Henry Bruce, made sure of that. In noting his reception of O’Connor’s letter, Bruce made his own diagnosis of the boy: “The man must be mad,” he wrote; “his self-conceit is intolerable.” O’Connor would spend nearly 50 years in a variety of asylums, his illness in almost all of them reduced simply to the effects of self-abuse. A closer study of his life (and his very few works)—a study at least begun in Shooting Victoria—suggests a much more complicated and interesting mind than that.  

01:35 pm, by shootingvictoria1 note Comments